M audio revolution 7 1.M-Audio Revolution 7.1 Reviewer’s Manual
Developer’s Description.M-Audio Revolution Review | HotHardware
8 rows · M-Audio Revolution Surround Sound PCI Card (PC / Mac) Visit the M-Audio Store. out /5(17). May 12, · Revolution is the ultimate audio upgrade for your PCI-based computer. Play DVDs and all your music in surround sound, make games more realistic, and record or mix your own music. surround sound output and high-definition bit/kHz fidelity insure that you’ll experience it all the way that it was meant to sound/10(2). May 24, · Download M-Audio Revolution for Mac to audio driverSubcategory: Motherboard Drivers.
M audio revolution 7 1.M-Audio Revolution Audio Card Review
May 24, · Download M-Audio Revolution for Mac to audio driverSubcategory: Motherboard Drivers. 6 rows · Apr 02, · The Revolution is a sub-$ sound card that pairs a newer version of the Envy24 audio Estimated Reading Time: 9 mins. 8 rows · M-Audio Revolution Surround Sound PCI Card (PC / Mac) Visit the M-Audio Store. out /5(17).
M-Audio Revolution 7.1 Review
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M-Audio’s Revolution 7.1 sound card
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M-AUDIO REVOLUTION REVIEWER’S MANUAL Pdf Download | ManualsLib
This spring M-Audio launched a new interesting audio solution – Revolution 7. M-Audio products are known as inexpensive quality semiprofessional solutions. The revolution means that this card is not professional but positioned mostly as a card for home theaters, playing music and games.
It’s for those who cares about sound. The card was launched right after the successful advent of the Terratec 6fire. Such cards could be very popular a couple of years ago. But today Creative is always a step ahead of other players on this market. It’s very difficult to compete today because the top Audigy2 possesses high-quality sound thanks to the expensive high-quality Crystal DACs and unattainable gaming capabilities EAX3. But if this is a real revolution will be clear in the end of the article.
For testing this kind of cards we developed a special benchmark suite RightMark 3DSound which makes easier testing 3D sound quality and CPU load in different modes of operation of sound cards.
The thin brochure with the user guide written in English has all necessary information on installation and utilization of the sound card. One of the CDs contains demo versions of Ableton Live 2. The upper part of the window shows configurations of the speakers.
Beside 5 configurations in the Current Set there are also 2. You can save a certain configuration under its own name and then load it without making new settings. It’s funny that the same Set Selection option also offers various presets called real acoustic models. The models have different specific parameters. Below you can find the Master Volume and Mute buttons. The first Speaker Setup tab shows individual parameters of a channel selected.
The left side highlights satellites adjusted. You can adjust a volume level for each channel, speakers’ sizes, the LF filter cutoff frequency and latency from 0 to 30 feet , and tick off Solo and Mute.
The Test will send a sinusoidal signal into the channel selected. The subwoofer settings also include LFE signal level adjustment and phase inversion enabling. The Mixer shows indicators and volume level controls of outputs used in the speaker set configuration. You can adjust volume levels of channels, enable mute and solo functions. Also note that the channels unused are not available.
For example, in case of the 5. The Surround Sound tab has the option of enabling Sensaura algorithms. It’s also pleasant that with the Sensaura supported sound applications like Winamp working in the MME do not reproduce sound.
A clip indicator is also provided. On the right you can see sampling rates and ASIO buffer sizes available. The last tab, About, indicates the drivers version. At the time of testing we used v5. Tests in RMAA 5. A short low-noise microphone cable, Proel, with gold-plated connectors was used to connect the cards. The input sensitivity of the Lynx Two is standard: dB V. The output signal amplitude is low, that is why the recorded signal was normalized up to the required level.
M-Audio Revolution 7. The average value and dispersion go after the slash mean of distribution and standard deviation for the 2-minute test and with accidental releases of the system discounted swap etc. The Creative Audigy2 as a direct competitor in this price range was used as a reference card. Actually, we expected that the Audigy2 would sound better because its Audigy2 DACs have better specs. But the Revolution 7.
Its sound was a bit more detailed and richer. Secondly, with the SSRC plugin used in the Audigy2 the difference is vanishingly small, and it disappears at all if you listen the other card in 30 seconds. Tests in movies The next two tests were carried out on the Logitech Z But this is only a 5.
Before estimating the sound let me remind you something from the Creative Inspire 6. As to audio tracks in movies in cinemas and on DVD, 5. The suffix of “. Some soundtracks use the 5. This format has the third surround channel encoded into the left and right surround channels of the 5. Since additional information is stored in the left and right surround channels, the sound track in the Dolby Digital Surround EX format still represents the 5.
In home theaters the figures 5. The subwoofer plays the LFE channel recorded in the 5. The difference between the formats is determined by the number of surround speakers : two in 5. Obviously, a 5. It also can be played by 6. Two surround channels in a 5. Thus, a format describing a sound track 5. It’s also possible to play stereo content on a multi-channel acoustic set using a matrix decoder such as Dolby Pro Logic II. A source format and a speaker set operate independently, and a decoder is to manage them.
But these two additional channels do not contribute much into the overall picture. One more mono channel decoded in two rear channels in not noticeable at all This technology is well suited for cinema halls. But a user sitting in front of a PC monitor doesn’t need a 7. It looks like one more marketing step, the attempt to attract users’ attention to new capabilities of sound cards.
In movies the Audigy 2 and M-Audio Revolution 7. But there is one interesting thing. The Audigy 2 has its own decoder, and the Audigy2 could have an advantage if its decoder performed better than the one used in the WinDVD. To estimate the relative sound quality we used the Audigy 2 card again.
We listened to the same game episodes switching the cards as fast as possible. The sound coming from the M-Audio Revolution 7. We actually expected that from the Sensaura. Sensaura never won against Creative starting yet from the Live!
The Revolution’s strong point is not games at all. And realization of the Sensaura algorithms in this card should be regarded as a bonus.
Nevertheless, you can play games with this card, – the sound is not that bad for a card with the Sensaura. Sound in headphones With the Senheiser HD headphones the card produces a clear signal without distortions even at the maximum volume level.
Conclusion The card plays pretty well, and it’s easy to handle it. The comparison with the Audigy2 was one of the most important tests. The Creative’s solution is a bit inferior in music, but when coupled with the SSRC, it almost catches up with the Revolution. But remember, that you can notice the difference only on high-quality speakers. In games Creative’s cards maintain its leading position because competitors have nothing to beat them with the Sensaura technology is obsolete and doesn’t suit anymore for cards with so good sound.